The Sarasota Ballet, under the visionary leadership of Director Iain Webb since 2007 and Assistant Director Margaret Barbieri since 2012, has earned international acclaim for its dedication to the works of Sir Frederick Ashton. In June 2024, at the invitation of The Royal Ballet Director Kevin O’Hare, Webb and Barbieri brought their Company to London’s Royal Opera House for a significant celebration of Ashton’s legacy, marking the kickoff of a five-year tribute to the renowned 20th century choreographer.
This historic opportunity was not only a testament to The Sarasota Ballet’s caliber but also a personal and professional milestone for Webb and Barbieri. Both former dancers with The Royal Ballet, they had worked closely with Ashton and many leading ballet stars of the times. Their deep connection to Ashton’s work and their commitment to preserving his legacy were key factors in their invitation to London.
The Invitation and Preparation
The invitation to perform in London came from Kevin O’Hare, who Webb has known since he was a young dancer. About a year before the June 2024 performances, O’Hare proposed that The Sarasota Ballet could join The Royal Ballet in a grand celebration of Ashton’s work. “It wasn’t something I’d ever thought would happen,” Webb admitted. “I always had a dream to have a great celebration. We even had a Ashton Festival in Sarasota in 2014 – but to be invited to perform with The Royal Ballet, at the Royal Opera House was unbelievable,” said Webb.
The preparations were intense, requiring meticulous planning and significant fundraising efforts. Webb and Barbieri worked tirelessly with their dancers, ensuring every detail was perfect for the London performances. “The schedule in London was hair-raising,” Barbieri recalled. “We were working non-stop, but the dancers were amazing, and it was surreal to see it all come together.”
Triumph in London
The London shows were a resounding success, elevating The Sarasota Ballet’s status in the global ballet community. Their performances at the Royal Opera House’s Linbury Theatre and on the Main Stage, including pieces like The Walk to the Paradise Garden, received rave reviews. “The Guardian” lauded The Sarasota Ballet for its “loving preservation” of Ashton’s work, highlighting the company’s grace and care in their performances.
Webb and Barbieri were deeply moved by the reception. “It was a tribute to Sarasota and the amazing, loyal donors and fans who understood the significance of this opportunity,” said Webb. The experience not only showcased The Sarasota Ballet’s talent but also reinforced the importance of Ashton’s work in their repertoire.
Looking Ahead
With the London triumph behind them, The Sarasota Ballet is poised for an extraordinary upcoming Season. “We’re not lowering the standard,” Webb asserted. “The Season has to be extra special, both artistically and financially.” The company’s upcoming productions include a truly special and rare performance of Sir Frederick Ashton’s Romeo and Juliet in March 2025 (Program 6), as well as world premieres by contemporary choreographers like Jessica Lang in October 2024 (Program 1) and much more.
The Sarasota Ballet’s commitment to excellence and innovation continues to drive its success. “We just have to keep doing what we do,” said Webb. “Bringing new creations and always having Ashton’s works as the backbone of our Company.”
As The Sarasota Ballet moves forward, the legacy of Sir Frederick Ashton remains a guiding light. Webb and Barbieri’s dedication ensures that Ashton’s remarkable choreographic contributions will continue to inspire and delight audiences for years to come. The London experience was a testament to their passion and vision, and the future looks incredibly bright for The Sarasota Ballet. On with the show!
"To be invited to perform with The Royal Ballet, at the Royal Opera House was unbelievable."