In the vibrant fashion scene of Oklahoma, Sapulpa's own MaKayla Bucktrot stands out not just for her unique designs but for her heartfelt connection to her heritage and community. Known for her brand, MaKs Knak, this young local artist’s work transcends fashion and embodies a deep respect and reverence for Indigenous traditions, along with a sincere passion for cultural expression.
MaKayla Bucktrot’s journey into the world of design is as humble as it is inspiring. "To be honest, I don’t consider myself a fashion designer because I’m simply just someone who knows how to make ceremonial regalia," she insists.
Raised by her grandparents Georgina and Boston Rowe, MaKayla began her creative path in her youth by first starting out making hand-sewn pillows from handkerchiefs and selling them with her grandmother's help. The pivotal moment came when her grandmother bought her a sewing machine, leading MaKayla to create her first ribbon skirt in her grandmother’s favorite color, purple, after her passing.
"I wasn’t as focused as I wanted to be, so I didn’t sew very often after she passed," MaKayla recalls. It wasn’t until high school — driven by her desire for a patchwork skirt she couldn’t afford — that MaKayla fully embraced sewing, using trial and error to create her own designs. Her skills were honed through a high school class, which provided the technical knowledge she needed to advance her craft.
The essence of MaKayla’s designs lies in their earthy, cultural-centric focus, deeply rooted in her Indigenous heritage. "I've made many items for stompdance. That’s usually when I see one of my skirts," she explains. With roots in a mix of tribes including Yuchi, Mvskoke, Pawnee, Iowa and Kialegee, her aim is to bring her own unique, organic twist to traditional clothing such as skirts, quilts, bags, vests, shawls — you name it.
Her thoughtful designs are not just about aesthetics; they are about creating pieces that resonate with cultural significance. "Different patterns and symbols can mean different things. For example, if a client is ‘wind clan,’ I would include a specific pattern of patchwork symbolizing their clan," she adds.
MaKayla’s design process is a blend of intuition and meticulous craftsmanship. "My first step in any piece is colors," she says. Depending on the client's preferences, she either takes creative freedom or follows specific color schemes guided by the color wheel. From there, she selects patterns of patchwork and potential ribbon placements.
"I never have a plan until I see the ribbons and the fabric in front of me; I literally can see the finished product in my head," MaKayla explains. The sewing process is both her most exciting and challenging part of her work.
Her choice of materials reflects a balance of tradition and practicality. "I prefer cotton fabric just because it’s soft and easy to work with when doing patchwork designs," she notes. This preference ensures her creations are comfortable, durable and true to the traditional aesthetics she aims to preserve.
Being an up-and-coming designer in Oklahoma does not come without its unique challenges, but MaKayla views these obstacles as opportunities for growth. "I'd say the only challenges I've faced are within myself. Trying to showcase traditional designs, both old and new, in ways that have never been seen before," she says.
Her work speaks volumes in various Indigenous communities, thanks to her dedication and the grassroots support she receives. One of her most rewarding projects to date has been creating new skirts and vests for her family for this year’s EaPAnA (Greencorn).
"I’m very lucky and grateful to still have elders in my life who are also artists," she shares. This project was a collaborative effort, with her great aunt and sister contributing their own designs and color choices — a true family affair.
MaKayla’s engagement with her local community is a testament to her brand’s success and growth. She sees her work at different ceremonies around Oklahoma and on social media, where her creations are celebrated by those who wear them.
"It’s through this grassroots effort from the Native community that my brand has been blessed with such success and growth," she acknowledges.
Looking ahead, MaKayla’s goals for her fashion brand are both personal and communal. "As long as I have my ceremonial grounds and my community, I'll always be here to share my art and, hopefully, one day pass it down to my future children and grandchildren," she says.
Exciting projects lie on the horizon for MaKayla, including designing and sewing her first wedding dress. "I can't wait to start with the colors she chose," she says with enthusiasm, looking forward to the new creative challenge. “I’ve also been waiting to try out a new sleeve I came across — she will look beautiful.”
At the heart of MaKayla’s work is a deep respect for the pieces she creates. "Every time I design a piece, I make sure I’m in a good mindset and treat it with care and respect, because that piece may eventually be at a ceremony," she emphasizes.
Through her brand, MaKs Knak, and uniquely artistic vision, MaKayla Bucktrot continues to weave stories of cultural heritage and personal expression, one stitch at a time. For readers interested in exploring more of her work, you can find her designs on Facebook (MaKs Knak) and Instagram (@maks_knak).
I'd say the only challenges I've faced are within myself. Trying to showcase traditional designs, both old and new, in ways that have never been seen before.