Georgia enters 2026 with a cautiously optimistic outlook for film and television. After several turbulent years marked by the pandemic, strikes and big-budget productions relocating overseas, the state begins the new year with a boost from several sizable projects preparing to shoot.
At Trilith Studios in Fayetteville, James Gunn’s "Superman: Man of Tomorrow" is expected to begin production in April. Gunn previously filmed "Guardians of the Galaxy" and "Guardians of the Galaxy Vol. 2" at the same campus. American High, known for its teen-focused content, launched its new production hub at Trilith, planning four films annually beginning this year—reflecting Trilith’s broader strategy to accommodate creators, brands and complementary business ventures alongside its tentpole productions.
Additionally, a variety of scripted work is returning to the state. "21 Down," starring Ashley Judd, began production in January, inspired by the true story of Caden Cox, the first person with Down syndrome to play and score in a college football game. Judd also serves as executive producer. Netflix’s "A Different World" sequel series begins filming in February, introducing a new generation of Hillman legacy characters. Netflix is also set to film "Scooby-Doo," a new live-action series, in Georgia this year.
Several Georgia-shot productions from 2025 will premiere throughout the year, including "The Good Daughter" (Peacock), "Cape Fear" (Apple TV+), "Tulsa King" Season 4 (Paramount+), "Beyond the Gates" Season 2 (CBS Studios), "Scream 7" (Paramount Pictures) and projects from Tyler Perry Studios such as "Beauty in Black" Season 2 and "Finding Joy" for Amazon.
Dr. Robyn Watson, President of WIFTA (Women in Film and Television Atlanta), says production activity continues to spread across the state. “Savannah, Athens, Columbus and the Covington/Conyers corridor are all busy,” she explains. She also emphasizes Georgia’s draw: “Our incentive—20% plus the 10% Peach logo uplift—continues to anchor us, giving producers predictability.”
Actor, writer and casting director Chad Darnell expects shifting trends. “I think we're going to see the rise of the Verticals in 2026. So many studios are launching their own platforms, and that’s driving more billionaire/mafia/vampire stories. But we’ll hit an exhaustion point, and grounded storytelling will come back.” His advice to performers remains clear: “Classes, classes, classes. If you stay ready, you don’t have to get ready.”
Talent agent Caroline Norton of Resolute Artists Agency says, “I’m optimistic about what’s coming to GA this year—I think it may look a little different from how we’ve been operating these last few years. We lost several big-budget projects, so I don’t expect major growth early on, but that creates more room for a wider variety of productions.” She notes that incentives from places like Tyler Perry Studios and Trilith show continued investment, adding, “We still have the best incentive in the country.”
Overall, Georgia’s 2026 production landscape reflects ongoing momentum and diversification. While the volume of work remains below its peak, the state continues to attract notable projects and expand production across multiple regions, positioning Georgia as a steady and evolving hub for film and television.